The pristine flower press

I was going to take a photograph of my flower press.

I reached for the fern – the good one, the one that came out perfectly – and laid it on the fresh cotton liner. It looked exactly right. Clean, green, symmetrical. The kind of image that makes pressing flowers look effortless and serene.

The working flower pressThe pristine flower press

Then I looked at the other liner. The one I’d actually been using.

Stained pink and purple from the flowers. Blotched where the moisture came through. Evidence of at least three sessions and one flower that gave up entirely under pressure. Not serene. Not particularly photogenic. Entirely honest.

I took both photographs.

The pristine one is prettier. The stained one is truer. And there’s something worth saying about that – not in a grand way, just as an observation – which is that most beautiful things have a working version that looks nothing like the finished article. The press that makes the keepsake. The draft that becomes the sentence. The mess that precedes the thing worth keeping.

The Gentle Library exists because of that process. Everything here started somewhere less tidy.

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by Sarah

Categories: IN THE LIBRARY

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